Відео

Woooow Wonderful Handel ❤😊

26:25

Superb

Wie an anderer Stelle bereits gesagt: was dem Beethoven seine 5. ist, ist dem Tschaikowsky seine 4. Punkt. Und die eigentliche Stärke, das eigentliche Genie Karajans liegt tatsächlich nicht in seiner Selbstdarstellung, sondern in der treuen Wiedergabe des Werkes im Sinne seines Schöpfers! Karajan (mit seinen Berlinern) zu hören ist mehr als ihn (und sie) zu sehen!! Dank sei Gott, dem Allmächtigen und Allbarmherzigen!!!

Великая музыка великих людей! Роскошные солисты, оркестр, хор! Спасибо за предоставленную возможность слышать это снова и снова.

2:05 Satzbezeichnung „Deutscher Gesang. Allegro moderato“, fand Verwendung als Titelmelodie der Interviewreihe „Zur Person“ von Günter Gaus.

❤Great performance of this Peak of The Baroque period by Legendary Maestro Herbert von Karajan ♥️..Thanks..😊

Angelical!

Todo muy bueno, menos el rebuzno de los bajos en "fecit potentiam".

Immer wieder begeistert von diesem Genie

Ixuuuiiuxuxuuxuduuyuuuyuyuyuguyuuguy😅😅😅uy😅i

Matt Labby Presents: Underground Pick-Hop ua-cam.com/video/Uq7TQl-MK3o/v-deo.html "I'll Be Where The Water Rushes Over Rocks" (Ricercar Beat)

I think it sounds better for the violin, though it may be for the recorder.

Meravigliosi tutti ❤❤❤

Did Gergiev do this one? I think he did “Sadko”

This is brilliant!

4:32

Barenboim toca as Variações Goldberg, do genial Bach, como se estivesse tocando as Variações de Diabelli,. Zero suavidade, zero leveza. Ele está acostumado a tocar Beethoven. Que continue a tocar Beethoven! Bach é demasiado suave prá Berenboim. Bach não é tarefa fácil prá quem está acostumado a executar Beethoven. Prá tocar as excepcionais Variações Goldberg, de maneira absolutamente divina, tem de ter a mão leve. Mão pesada, aqui, destoa.

Bravo!

How did you know I was here because of Kundera?😮

Mendelsohn was METAL AF!!

It's in Ukrainian. Love it.

👏

Tem que ser ❤

Ich bin fasziniert von Schuberts Melodienreichtum.

Magnífico!

Genial...

❤❤❤❤❤❤❤

May I hear Bruckner 9 simphony instead an opera in photo?

Is this from Salzburg or Vienna? I ask cos it sounds like a Live performance, rather than the Decca studio recording recording.

dankeschön

Handel - Semele (HWV 58) _“Story of Semele” - „After the Manner of an Oratorio“_ Overture 0:01 Allegro, Adagio 2:52 Gavotte 6:45 ACT I Acc. Behold! auspicious flashes rise (Priest) Chorus. Lucky omens bless our rites (Chorus of Priests) 10:50 Rec., Arioso&Duet. Daughter, obey, hear and obey! (Cadmus, Athamas) Acc. Ah me! what refuge now is left me? (Semele) Aria. Oh Jove! in pity teach me (Semele) 16:42 Rec. See, she blushing turns her eyes (Athamas) Aria. Hymen, haste! thy torch prepare (Athamas) 19:18 Rec. Alas! she yields, and has undone me (Ino, Athamas, Semele) Quartet. Why dost thou thus untimely grieve (Cadmus, Ino, Athamas, Semele) 25:05 Chorus. Avert these omens (Chorus of Priests) 28:11 Acc. Again auspicious flashes rise (Cadmus) Rec. Thy aid, pronubial Juno, Athamas implores! (Athamas, Semele) Chorus. Cease, cease your vow's (Chorus of Priests) 31:04 Rec. O Athamas, what torture hast thou borne! (Athamas) Rec. Turn, hopeless lover, turn thy eyes (Ino) Rec. Ah me, what have I heard (Athamas) Duet. You've undone me, look not on me /With my life I would atone (Ino, Athamas) 32:27 Rec. Ah, wretched prince (Cadmus, Athamas) Acc. Wing'd with our fears and pious haste (Cadmus) Rec. O prodigy, to me of dire portent! (Athamas, Ino) Rec. See, see! Jove's Priests and holy Augurs come (Cadmus) Chorus. Hail Cadmus, hail! (Chorus of Priests and Augurs) 36:32 Aria&Chorus. Endless pleasure, endless love (Semele, Chorus of Priests and Augurs) 38:22 ACT II Symphony. Presto 44:27 Rec. Iris, impatient of thy stay (Juno, Iris) Aria. There, from mortal cares retiring (Iris) 46:57 Rec. No more! I'll hear no more! (Juno) Acc. Awake, Saturnia, from thy lethargy! (Juno) 50:16 Rec. Hear, mighty queen, while I recount (Iris) Acc. With adamant the gates are barr'd (Iris) Aria. Hence, hence, Iris, hence away (Juno) 52:16 Aria. O sleep, why dost thou leave me? (Semele) 56:22 Rec. Let me not another moment (Semele) Aria. Lay your doubts and fears aside (Jupiter) 1:01:15 Rec. You are mortal (Jupiter) Aria. With fond desiring (Semele) 1:05:19 Chorus. How engaging, how endearing (Chorus of Loves and Zephyrs) 1:07:59 Rec. Ah me! Why sighs my Semele? (Semele, Jupiter) Aria. I must with speed amuse her (Jupiter) 1:11:54 Chorus. Now love that everlasting boy invites (Chorus of Loves and Zephyrs) 1:16:03 Rec. By my command now (Jupiter, Semele) Aria. Where'er you walk, cool gales shall fan the glade (Jupiter) 1:19:35 Rec. Dear sister, how was your passage hither? (Semele, Ino) Aria. But hark! the heav'nly sphere turns round (Ino) 1:25:54 Duet. Prepare then, ye immortal choir! (Ino, Semele) 1:27:56 Chorus. Bless the glad earth with heav'nly lays (Chorus of Nymphs) 1:30:11 ACT III Symphony. Larghetto e piano per tutto 1:33:22 Acc. Somnus, awake! (Juno, Iris) Aria. Leave me, loathsome light! (Somnus) 1:35:17 Rec. Dull God, canst thou attend the water's fall (Iris, Juno) Aria. More sweet is that name (Somnus) 1:41:15 Rec. My will obey, she shall be thine (Juno, Somnus) Duet. Obey my will, thy rod resign/All I must grant, for all is due (Juno, Somnus) 1:44:30 Aria. My racking thoughts by no kind slumbers freed (Semele) 1:46:53 Rec. Thus shap'd like Ino, with ease I shall deceive her (Juno, Semele) Aria. Myself I shall adore (Semele) 1:52:15 Aria. Be Wise, as you are beautiful (Juno, Semele) Rec. Acc. Conjure him by his oath (Juno) Aria. Thus let my thanks be paid (Semele) 2:01:07 Rec. Rich odours fill the fragrant air (Juno, Semele) Aria. Come to my arms, my lovely fair (Jupiter) 2:03:47 Rec. O Semele! Why art thou thus insensible? (Jupiter) Aria. I ever am granting (Semele) 2:07:22 Rec. Speak, speak your desire (Jupiter, Semele) Rec. Acc. By that tremendous flood (Jupiter) Rec. You'll grant what I require? (Semele, Jupiter) Acc. Then cast off this human shape (Semele) Aria. Ah! take heed what you press! (Jupiter) 2:10:59 Aria. No, no, I'll take no less (Semele) 2:12:22 Acc. Ah, whither is she gone! (Jupiter) 2:17:26 Aria. Above measure is the pleasure (Juno) 2:20:50 Acc. Ah me! Too late I now repent (Semele) Chorus. Oh terror and astonishment! (Chorus of Priests) 2:26:31

Die Meere ist ein absolutes Meisterwerk 🎶

Who is the performer of this lovely performance? I adore the ornamentation added in the flute player's interpretation

Well Herbert frankly, his not Karl Richter, But this is a very, very good interpretation.

I can not make it, I can work it in class and improve it. So will be heard better

Uma das mais belas, criativas e intrigantes peças do grande mestre Haendel. Sem mencionar a o libreto, audacioso e desconcertante.

Who is the performer?

Semele: Jane Archibald (soprano) Jupiter: William Burden (tenor) Juno, Ino: Allyson McHardy (mezzo-soprano) Cadmus, Somnus: Steven Humes (bass) Athamas: Anthony Roth Costanzo (countertenor) Iris: Katherine Whyte (soprano) Canadian Opera Company Orchestra and Chorus Conductor Rinaldo Alessandrini Director & Set Designer: Zhang Huan Costume Designer: Han Feng Toronto, 2012-05

Actually it is - *SUSANNA (HWV 66)* oratorio, 1748 performers: Susanna - Elisabeth von Magnus (mezzo-soprano), Joacim - Sytse Buwalda (countertenor), Daniel, Attendant - Ruth Holton (soprano), First Elder - John Elwes (tenor), Chelsias, Second Elder - Tom Sol (bass) Conductor Peter Neumann Collegium Cartusianum, Cologne Chamber Choir

Sinceramente......Celestiale! Alex from Italy.

regretfully details of the ensemble who played this are lacking. When clikcing on more I get links to other videos in which I am not interested. This does not pay tribute to the performers. So will not subscribe to this channel

Tem que ser?

Lili Boulanger peint de bien plus beaux tableaux sonores lorsqu'elle écrit sur la nature en utilisant choeur et orchestre. Avec la maitrise de l'ecriture que le Maitre avait il aurait pu etre pluw hardi et plus evocatif... Natalif Dessay bien sûr sauve en grand cette partition même si on ne comprend pas grand-chose au texte ....En tout c'est plus intéressant comme musique que la fiancée du timbalier ..

Un beau mezzo pour chanter une œuvre qui a quelque court moment fort à la belle orchestration mais cela ne m'étonne pas qu'elle n'ait pas traversé les années, tout de même...parfois, c'est très incompréhensible, mais pas ici, je trouve...enfin c'est juste une opinion ! Saint Saens a fait infiniment mieux ....

the tempi are just too perfect

Please! You continue to post great recordings and never say who is playing. It's frustrating and infuriating.

Todo hermmoso, las arias son muy sobrias pero melodías puras y bellas. es un haendel menos virtuoso vocalmente mas contenido. Orquestalmente es el de siempre grandioso.

ANS

Elevates the spirit.